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The Entry
Choices Made
by Peggy Anne Allred
Two years ago, I made a choice that would forever shape my future. I could have chosen the easier path, full of family and friends, living in the peace of Camelot’s third age.
But I didn’t.
Instead, I agreed to go back in time.
Legends said that the Annihilation filled with the world with death and destruction, crushing human civilization so thoroughly that archaeologists still labored to find history within the stories that survived.
But hope was also in those stories, tales of the second age of Camelot when King Arthur and the Knights of the New Dawn rode forth to return honor, justice, and chivalry to the land.
That sounds exciting. Important. Noble.
Irresistible.
Moments ago Merlin told me a secret about legends and stories. He said that living during a time of legends just proves how wrong they are and that even supposedly accurate histories could be very different than you expected.
I’m not sure why he chose to tell me only moments before sending me back to the 21st century. Had he feared that knowing would turn me from the harder path? Or did he hide this truth because he himself had come from the future?
It’s too late to ask.
As I stand in a tangle of spells that glowed brighter every second, I wonder which path I would have chosen if Merlin had revealed his secret when this began. I don’t know. But it doesn’t matter anyway. The spell is cast, my choice made.
I hope it was the right one.
But I didn’t.
Instead, I agreed to go back in time.
Legends said that the Annihilation filled with the world with death and destruction, crushing human civilization so thoroughly that archaeologists still labored to find history within the stories that survived.
But hope was also in those stories, tales of the second age of Camelot when King Arthur and the Knights of the New Dawn rode forth to return honor, justice, and chivalry to the land.
That sounds exciting. Important. Noble.
Irresistible.
Moments ago Merlin told me a secret about legends and stories. He said that living during a time of legends just proves how wrong they are and that even supposedly accurate histories could be very different than you expected.
I’m not sure why he chose to tell me only moments before sending me back to the 21st century. Had he feared that knowing would turn me from the harder path? Or did he hide this truth because he himself had come from the future?
It’s too late to ask.
As I stand in a tangle of spells that glowed brighter every second, I wonder which path I would have chosen if Merlin had revealed his secret when this began. I don’t know. But it doesn’t matter anyway. The spell is cast, my choice made.
I hope it was the right one.
Ms. Shreditor's Comments
First, I’d like to address the use of verb tense in this piece. In most cases, you want to pick the present or past (or, if you’re feeling really experimental, the future) tense and stick with it. However, a skilled writer can shift between tenses. Here, we have a narrator who exists in the present and reflects on the past, and the writer is able to navigate pretty efficiently between the two. However, there are some hiccups. The beginning of the piece tells us that the narrator made his or her key choice two years ago, and at the very end he or she wonders if that choice was the right one. However, the casting of the spell (which I assume to be the choice made two years ago) unfolds in the present tense. This page will need some tweaking to address these tense issues.
One trend here concerns me: the use of short paragraphs. This can be a very effective mode of suspense building when used sparingly. However, it can become more of a tic when used to excess. You can build suspense effectively in other ways—with language, with sentence structure, even with punctuation—without constantly interrupting the flow of your narrative with short paragraphs.
With that in mind, consider restructuring/consolidating the first three paragraphs. Here’s my suggestion: “Two years ago, I could have chosen an easier path, full of family and friends, living in the peace of Camelot’s third age. But I didn’t. Instead, I agreed to go back in time.” Notice the changes to the first sentence. I cut “I made a choice that would forever shape my future” because it’s somewhat cliché and implied in the text that follows. Restructuring this way emphasizes at the outset that the narrator was once at a crossroads.
One copyediting note: Avoid “different than.” “Different” isn’t a comparative adjective; therefore, it shouldn’t precede “than.” In most cases, something is different from something else. So you might recast the sentence this way: “...accurate histories could be very different from what you expected.” The syntax in this sentence is a bit muddy overall, so consider trimming unnecessary words/phrases so that the reader cannot mistake its meaning.
Reimaginings and retellings of classic tales are hot right now, particular in the YA market. This reimagining of Arthurian legend can work if it 1) reflects a fluent knowledge of the original story, 2) provides a fresh take on a classic character or plot point, and 3) manages to be more than just fan fiction. (Though perhaps the meteoric rise of repurposed, “pulled to publish” Twilight fan fiction nullifies my third point. But that’s another column for another day.) If you haven’t done so already, consider reading other retellings to get a sense of how other authors have navigated charted territory. The writing here is generally quite good, so the challenge will be offering a fresh-but-faithful take on a classic.
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